No One Can Ever Replace Freddie Mercury—And No One Is Trying. But Queen’s Brian May And Roger Taylor Have Found The Ultimate Powerhouse In Adam Lambert, And Their Explosive North American Tour Proves It!

No one can replace Freddie Mercury. No one. The good news is no one is trying to replace Freddie. That being said, Queen’s Brian May and Roger Taylor couldn’t have found a better singer than Adam Lambert to take the stage with them on their current North American tour.

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Queen + Adam Lambert at The Joint, Las Vegas, 6 July 2014.

Queen + Adam Lambert rolled into Las Vegas for a sold out, two-night stand at the Hard Rock Hotel & Casino’s The Joint over Fourth of July weekend. Seating just around 3,000 people, The Joint is easily Queen’s most intimate venue on this 24-city tour. Despite the pared down stage (by Queen’s standards), they still left an indelible footprint on The Joint, burning through a two-hour set of obscure gems, greatest hits and re-imagined classics.

The lights dimmed to the familiar chords of Procession, from the Queen II album. The curtain dropped and Queen blasted into their set, opening the show with a raucous rendition of Now I’m Here on the strength of May’s signature Red Special guitar sound and Taylor’s adrenaline-pumping drums. Before the audience had a chance to breathe, they launched into the jolting rocker, Stone Cold Crazy, reminding fans Queen can still put the pedal to the metal.

For the next two hours, Queen, Lambert and their supporting cast (bass player Neil Fairclough, Spike Edney on the keyboards and Roger’s son, Rufus, on drums and percussion) deftly ripped through a set of Queen classics as though they never missed a beat. Whether bouncy sing-alongs like Fat Bottomed Girls, the raw power of Tie Your Mother Down or Lambert’s vocal gymnastics on Somebody To Love, Queen and Lambert were flexing their muscles, daring the audience to not love it. The Vegas audience roared with approval when, mid-show, May coyly asked, “What do you think of the new kid?”

For his part, Lambert—the “new kid”—prowled, strutted and preened across the stage like he owned it. Anyone who’s following Freddie Mercury can’t be a shrinking violet and Lambert certainly made this set his own, putting his own stamp on Queen’s daunting setlist. He was never more at home than with Killer Queen