The Mine Closed in ‘63 and the Men Left—My Grandmother Stayed Because a Bigfoot Couldn’t Follow Her
The Mine Closed in ‘63 and the Men Left—My Grandmother Stayed Because a Bigfoot Couldn’t Follow Her
Chapter 1: The Woman Who Stayed
The last thing my grandmother Hazel ever said to me, three weeks before she died, was that the mountain had kept her company better than any person ever had. She spoke the words without drama, sitting in her old rocking chair on the porch while evening settled over the hollow. Behind her, the dark hemlock-covered ridge rose against the fading sky like a wall that had stood there before memory itself. Her hands rested quietly in her lap, those broad, weathered hands that had spent nearly a century working soil, splitting wood, carrying water, and surviving things that would have broken most people. I remember laughing softly and asking what she meant. I assumed she was talking about the birds that nested around the cabin, or perhaps the creek that sang outside her window every night. Maybe she meant the peace of living alone. Hazel only smiled. It was a small smile, one she often wore when she knew something another person didn’t. Then she looked toward the ridge and said nothing more. At sixty years old, after knowing her my entire life, I still failed to understand what she was trying to tell me.
Three weeks later she was gone.
My name is Dorothy Walker. I am sixty-five years old now, and until the spring of 2019 I believed I knew almost everything important about my grandmother’s life. I knew she had been born in a coal camp deep in Wyoming County, West Virginia. I knew she had married a miner named Floyd Walker in 1940. I knew she had buried him fifteen years later after a roof collapse deep inside the Number Four Entry of the Raymer Fork Mine. I knew she had raised my mother largely by herself. I knew she had remained in the mountains after everyone else left. What I did not know was why.
The coal camp where she lived had once been full of life. Raymer Fork wasn’t large by mining standards, but in the 1940s and 1950s it was a thriving place. Company houses lined both sides of the creek road. Children rode bicycles through clouds of coal dust. Miners came home every evening black-faced and exhausted while wives called them in for supper. The church bell rang on Sundays. The schoolyard echoed with shouting voices. At night the windows glowed yellow against the darkness of the surrounding forest. People who have never lived in a company town often imagine them as bleak places, but the truth is more complicated. They were communities built around hardship, and hardship has a way of binding people together.
Then the machines arrived.
By the early 1960s the future of coal mining was changing. One machine could do the work of many men. Families began leaving in waves, heading north toward Ohio and Michigan where factory jobs promised better wages and safer conditions. Houses emptied. Gardens went untended. Store shelves thinned. The sounds that had defined the hollow for fifty years faded one by one.
Most people who heard about Hazel assumed stubbornness explained it. They imagined an old mountain woman refusing change because she had spent too many years rooted in one place. That explanation always sounded reasonable to outsiders. The trouble was that it wasn’t true. Hazel was many things, but stubborn was only part of the picture. She wasn’t trapped by the mountain. She chose it every single day for more than half a century.
My father was among the last to leave.
I still remember the day, though memory preserves only fragments. I was four years old. A borrowed truck sat in front of the company house while my parents loaded furniture into the back. The air smelled of diesel fuel and summer dust. Men shouted to one another as they worked. Somewhere a screen door slammed. I stood on the porch clutching a rag doll and watching the adults move around me.
At the end of the road stood Hazel.
She wore a faded dress sewn from flour-sack cloth. Her arms were folded across her chest. Behind her the mountain rose green and silent. My father walked over and asked her one final time to come with us.
“Hazel,” he said.
She didn’t answer.
“Hazel, please.”
She shook her head.
That was all.
No argument. No explanation.
Just a single motion.
My mother hugged her and cried. Hazel hugged her back but never changed her mind. Looking back now, that moment feels less like a family disagreement and more like a choice that split two different futures apart. One path led north with everyone else. The other remained in the hollow.
Hazel chose the mountain.
The last thing my grandmother Hazel ever said to me, three weeks before she died, was that the mountain had kept her company better than any person ever had. She spoke the words without drama, sitting in her old rocking chair on the porch while evening settled over the hollow. Behind her, the dark hemlock-covered ridge rose against the fading sky like a wall that had stood there before memory itself. Her hands rested quietly in her lap, those broad, weathered hands that had spent nearly a century working soil, splitting wood, carrying water, and surviving things that would have broken most people. I remember laughing softly and asking what she meant. I assumed she was talking about the birds that nested around the cabin, or perhaps the creek that sang outside her window every night. Maybe she meant the peace of living alone. Hazel only smiled. It was a small smile, one she often wore when she knew something another person didn’t. Then she looked toward the ridge and said nothing more. At sixty years old, after knowing her my entire life, I still failed to understand what she was trying to tell me.
Three weeks later she was gone.
My name is Dorothy Walker. I am sixty-five years old now, and until the spring of 2019 I believed I knew almost everything important about my grandmother’s life. I knew she had been born in a coal camp deep in Wyoming County, West Virginia. I knew she had married a miner named Floyd Walker in 1940. I knew she had buried him fifteen years later after a roof collapse deep inside the Number Four Entry of the Raymer Fork Mine. I knew she had raised my mother largely by herself. I knew she had remained in the mountains after everyone else left. What I did not know was why.
Most people who heard about Hazel assumed stubbornness explained it. They imagined an old mountain woman refusing change because she had spent too many years rooted in one place. That explanation always sounded reasonable to outsiders. The trouble was that it wasn’t true. Hazel was many things, but stubborn was only part of the picture. She wasn’t trapped by the mountain. She chose it every single day for more than half a century.
The coal camp where she lived had once been full of life. Raymer Fork wasn’t large by mining standards, but in the 1940s and 1950s it was a thriving place. Company houses lined both sides of the creek road. Children rode bicycles through clouds of coal dust. Miners came home every evening black-faced and exhausted while wives called them in for supper. The church bell rang on Sundays. The schoolyard echoed with shouting voices. At night the windows glowed yellow against the darkness of the surrounding forest. People who have never lived in a company town often imagine them as bleak places, but the truth is more complicated. They were communities built around hardship, and hardship has a way of binding people together.
Then the machines arrived.
By the early 1960s the future of coal mining was changing. One machine could do the work of many men. Families began leaving in waves, heading north toward Ohio and Michigan where factory jobs promised better wages and safer conditions. Houses emptied. Gardens went untended. Store shelves thinned. The sounds that had defined the hollow for fifty years faded one by one.
My father was among the last to leave.
I still remember the day, though memory preserves only fragments. I was four years old. A borrowed truck sat in front of the company house while my parents loaded furniture into the back. The air smelled of diesel fuel and summer dust. Men shouted to one another as they worked. Somewhere a screen door slammed. I stood on the porch clutching a rag doll and watching the adults move around me.
At the end of the road stood Hazel.
She wore a faded dress sewn from flour-sack cloth. Her arms were folded across her chest. Behind her the mountain rose green and silent. My father walked over and asked her one final time to come with us.
“Hazel,” he said.
She didn’t answer.
“Hazel, please.”
She shook her head.
That was all.
No argument. No explanation.
Just a single motion.
My mother hugged her and cried. Hazel hugged her back but never changed her mind. Looking back now, that moment feels less like a family disagreement and more like a choice that split two different futures apart. One path led north with everyone else. The other remained in the hollow.
Hazel chose the mountain.
Within