Molly Gordon Talks Theater Camp Chaos and Her Rom-Com That Took a Left Turn

In the vibrant world of entertainment, few experiences are as formative as those spent in the realm of theater. For Molly Gordon, a talented actress known for her roles in “Shiva Baby,” “Theater Camp,” and “The Bear,” her journey began at a young age, steeped in the joys and challenges of community theater. Recently, she graced the stage of “The Late Show with Stephen Colbert,” where she shared her experiences and insights about her latest project, “Oh, Hi,” a rom-com that takes a humorous twist on the genre.

Molly’s passion for acting ignited when she was just three years old, participating in community theater. Reflecting on her early days, she recounted her first performance in the chorus of “Cinderella,” a moment that was both exhilarating and slightly embarrassing as she fell off the stage. This anecdote encapsulates the essence of theater: the thrill of performance intertwined with the unpredictability of live shows. “That’s fantastic! Please tell me there is a video?” Stephen Colbert quipped, highlighting the universal appeal of childhood memories that resonate with audiences.

As she continued to hone her craft, Molly took on various roles, including a memorable portrayal of the Witch in “Into the Woods” at the tender age of six. Her unique interpretation brought a “sexual energy” to the character, a bold choice that showcased her early understanding of the complexities of performance. “Things are very sexy. Layers of wool,” she joked, illustrating the often humorous and unexpected nature of theater.

Molly’s journey also included a stint in improv, where she participated in Children’s Groundlings in Los Angeles. This experience proved pivotal, as it provided her with a creative outlet where “any answer was okay and anything was possible.” However, her improvisational skills sometimes led to misunderstandings, as her teacher had to intervene when Molly’s scenes became overly flirtatious. “It seems to have worked out,” Stephen remarked, acknowledging her growth as an actress.

In addition to acting, Molly has ventured into directing, co-directing the film “Theater Camp” alongside her friend Ben Platt. Their shared history in community theater added a layer of authenticity to the project, as they incorporated childhood videos of themselves performing. “He was better than me at that age. He was always brilliant,” Molly admitted, showcasing her humility and appreciation for her peers. The film serves as a celebration of the “insanity and beautiful filling and beauty of theater people,” a sentiment that resonates deeply with anyone who has experienced the camaraderie of the theater community.

When Stephen asked about the nature of theater camp, Molly described it as a “bunch of horny theater kids” celebrating the joy of performance. Her anecdotes about her first kiss at camp, where the boy promptly revealed he was gay, added a humorous touch to her narrative. “That’s great,” she recalled responding, highlighting the acceptance and openness that often characterize the theater community.

Molly’s directorial debut with “Theater Camp” reflects her desire to create art that is uninhibited and collaborative. “The world is so messed up, and the internet… you don’t want to make art from that place,” she explained. Instead, she aimed to capture the essence of friendship and laughter, reminiscent of the carefree creativity she experienced as a child. Her enthusiasm for storytelling and collaboration shines through, making her a refreshing voice in the industry.

As the conversation shifted to her latest project, “Oh, Hi,” Molly described it as a “rom-com gone wrong.” The film, which features a quirky and humorous storyline, is set to be released in theaters soon. Stephen’s playful banter about the film’s title, “A Wrong Com,” elicited laughter from the audience, showcasing the lighthearted nature of their exchange.

Molly’s influences in the rom-com genre are evident, particularly her admiration for Nora Ephron, a legendary filmmaker known for her iconic romantic comedies. “I feel very lucky to have [known her],” Molly shared, revealing that Ephron was a family friend. The lessons she learned from Ephron, such as the importance of ordering something for the table, reflect the wisdom and warmth that often accompany mentorship in the arts.

The conversation took a humorous turn when Stephen inquired about Molly’s romantic life, jokingly asking if she had married her eighth-grade boyfriend. Molly’s playful response, “We have children and we live on a farm,” elicited laughter, but she quickly clarified that they were no longer together. This lighthearted exchange underscores the importance of humor in navigating relationships, both on and off the screen.

As the interview concluded, Stephen expressed his gratitude for Molly’s presence on the show, and the audience erupted in applause. “Oh, Hi” is set to hit theaters, and with Molly’s infectious energy and talent, it promises to be a delightful addition to the rom-com genre.

In a world where the arts often serve as a refuge from the chaos of everyday life, Molly Gordon’s journey through theater camp and her experiences in the industry remind us of the power of creativity, collaboration, and the joy of performance. Her story is a testament to the enduring impact of theater on individuals and communities, and her contributions to the field are sure to inspire future generations of artists. As we eagerly await the release of “Oh, Hi,” we are reminded of the magic that unfolds when passion meets creativity, and the laughter that ensues when we embrace the unexpected twists of life.